He looks and sounds sincere, except that he's likely to evoke Duncan's e words of Duncan from Act 1, Scene 4: "There's no art to find the mind's construction in the face." Despite any reservations this prompts, you'll hand him your card in exchange for a white Venetian-styled mask and it's on to a freight elevator leading to the main part of the performance. Soon a tuxedo clad host arrives to welcome the guests to Manderley. It's a set-up that encourages f drifting into the mood and atmosphere that will permeate the evening. Card in hand, there's another stop at a lounge, replete with a bandstand and bar, where drinks are served and jazz wafts through the air. The evening which can last up to 3 hours transforms attendees into inmates who are expected to shuffle through dark passageways, climb up and down stairs, stroll through cemetery plots, saunter through shrines and studies, zig-zag through mazes - not to mention going in hot pursuit of the dramatic action.īefore undertaking this exploration, there's a stop at the box office to receive a playing card, leave coats, sweaters, and bags in a coatroom. It's not a performance you watch as one within which you live. This Punchdrunk production, directed by Felix Barrett and Maxine Doyle (in collaboration with Emursive), draws on Shakespeare's classic tragedy Macbeth and Hitchcock's early work - not to mention the chutzpah of any attendee who decides to indulge in this site-specific work at the McKittrick Hotel.Ī caveat to potential attendees: This British environmental escapade is for the most adventurous theatergoers, those hearty souls who will go through thick and thin to see their Shakespeare in a fresh new light (or is it a cinematic noir light?). Sleep No More can be physically tiring, but it's never boring. Nicholas Bruder as Macbeth and Sophie Bortolussi as Lady Macbeth in Sleep No More scene
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